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Zeteo (ζητέω): to challenge, question, dispute, explore the forgotten and ignored

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Politics, Death Threats, Decency: The Roosevelts

October 1, 2016 by Ed Mooney

Mr. Trump hangs scapegoats like piñatas and invites people to take a swing. — Arizona Republic, September 28, 2016, lead editorial   A friend is watching the PBS series, The Roosevelts. She’s taken in by the first episodes. I find myself pushed back in time, reliving the powerful impact of the series when I first viewed it two years ago. Back then, I was a complete fan, a true believer. I was abroad, and no doubt nostalgic for a number […]

Categories: Ed Mooney, ZiLL • Tags: decency, Donald Trump, History, politics, Roosevelts

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view of Alberto Burri’s Cretto di Gibellina, Sicily

Smithson, Tuymans; Art & Explication

September 6, 2016 by William Eaton

Beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. — Oscar Wilde, The Picture of Dorian Gray   I Robert Smithson’s Mirrors and Shelly Sand (images above) is a long, low, floor-lying crest of sand (approximately 30 feet by 5 feet), which is divided in equal parts by 50 double-sided mirrors.[1] Division and reflection—reflection in the sense of light, images, and ideas being thrown back without being absorbed—are central concepts here. As regards division, […]

Categories: William Eaton, ZiLL • Tags: art, beauty, capitalism, cultural criticism, intellectuals, Oscar Wilde

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Philip Guston, "Aggressor," 1978, private collection

Guston, Schapiro, Rosenberg, . . . Dialogue

July 13, 2016 by William Eaton

Why do we think Guston made paintings like these? This becomes a question, too, about how we are compelled, how we respond.   By William Eaton   I think every good painter here in New York really paints a self-portrait. I think a painter has two choices: he paints the world or himself. And I think the best painting that’s done here is when he paints himself, and by himself I mean himself in this environment, in this total situation. […]

Categories: William Eaton • Tags: Abstract Expressionism, art, CIA, Clement Greenberg, Cold War, Harold Rosenberg, McCarthyism, Meyer Schapiro

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Exhibition image for Jewface, Yiddish Dialect Songs of Tin Pan Alley, YIVO Institute for Jewish Research - detail from larger image

Jewface: Comic Songs, Vaudeville Stereotypes

June 14, 2016 by William Eaton

Mock Yiddish and Ethnic Parody in the Vaudeville Melting-Pot     While weary critiques of Blackface, Yellowface and Redface have become almost a Halloween tradition in their own right, “Jewface” in popular music has largely been forgotten.[1]). However, this past spring, the Center for Jewish History in New York City hosted an exhibit by the YIVO Institute for Jewish Research: “Jewface: ‘Yiddish’ Dialect Songs of Tin Pan Alley.” I quote from the exhibition’s website: With his fake beard, putty nose, […]

Categories: ZiLL • Tags: comedy, Irving Berlin, Jews, popular music, stereotypes, vaudeville

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Look Rich or Go Bankrupt Trying

May 8, 2016 by fritztucker

I’m not the only person who finds 50 Cent a fascinating figure. His landmark album, Get Rich or Die Tryin’, is one of the top ten best selling albums in rap history, and is perhaps the only rap album ever to have a feature film made of it. While living in Belize during the summer of 2005, I stumbled upon a middle-schooler’s yearbook in a house I was doing construction on. Nearly every child’s yearbook quote was either a line from Get Rich or Die […]

Categories: Fritz Tucker, ZiLL • Tags: art, capitalism, politics

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Berlinde De Bruyckere, No Life Lost II, Installation view, Hauser & Wirth, 2016, photo by Mirjam Devriendt

De Bruyckere, Ibsen, Gatsby, Graceland

March 31, 2016 by William Eaton

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but for what might happen to you—when the whole thing was past, as far as you were concerned it was exactly as if nothing at all […]

Categories: William Eaton, ZiLL • Tags: Adorno, aporia, art, Belgium, Berlinde De Bruyckere, death, dying, Gatsby, Ibsen, Jean-François Lyotard, juxtaposition, Paul Simon, popular music, reverie, sculpture

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Power to Intrude, Illustration by Ben Jennings, Prospect Magazine, February 2016

Privacy and Power

March 28, 2016 by fritztucker

Two weeks ago I wrote about the relationship between privacy and power, and how may of today’s spokespeople for the oppressed focus more on stopping surveillance in the name of privacy than daring to call for surveillance of oppressors, or imagine ways that surveillance could be used to create a world devoid of oppression. Since then, I have been thinking a lot about our current obsession with privacy. In The Future of the Mind: The Scientific Quest to Understand, Enhance, […]

Categories: Fritz Tucker, ZiR • Tags: books, capitalism, civil rights, crime, criminals, ethics, literature, New York City, philosophy, politics, reading, social justice, technology, women, writing

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Technology in the Age of Inequality

March 13, 2016 by fritztucker

Last week, I attended the Technology, Privacy, and the Future of Education symposium at NYU’s Media, Culture, and Communication department. One panelist, NYU Sociology’s Richard Arum, addressed the impact of technology on education-as-vocation—a subject on which I recommend Sugata Mitra’s self-organized, child-driven pedagogy. The other panelists focused primarily on digital technology’s impact on educational administration. Debates arose around the development of online-only curricula, apps that send parents reports on how late their children arrive to class, and the ethical implications […]

Categories: Fritz Tucker, ZiLL • Tags: capitalism, civil rights, crime, death, education, ethics, History, New York City, politics, science, social justice, technology

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English servant, washing in tub

Downton Abbey and the End of a Way of Life

February 8, 2016 by Walter Cummins

Downton Abbey, now in its sixth and final season, has been a TV phenomenon, with audiences in more than 200 countries, including 160 million viewers in China. In the US it is the most popular PBS program ever, and, during the 2014-15 viewing year, it came out twentieth in popularity among all network and cable programming, just behind Monday Night Football. Why has it had such broad appeal? It’s difficult—perhaps impossible—to generalize for the planet, for viewers in places as […]

Categories: ZiLL • Tags: Downton Abbey, economic crisis, labor, televison, United Kingdom, work, working class

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