Dylan’s lyrics written after his protest songs had made him famous came to parallel his evolving public persona. Both are adamantly unwilling to be of service to any one meaning, interest, or point of view. In fact, it seems it is Dylan’s songs, even more than his public appearances, that demonstrate his reluctance to be the prophet of his generation.
Categories: ZiLL • Tags: Bob Dylan, celebrity, literary theory, popular music, The Bible
By Emily Tobey Ever since the word feminism first appeared in public discourse in the late 1800’s, it has stimulated debate and disagreement about its meaning and purpose. The basic definition of feminism is the advocacy of women’s rights on the grounds of political, social, and economic equality with men. The fundamental tenor of this definition frequently gets lost, however, amidst conflicting views, myths and misconceptions. Nonetheless, from the suffrage movement through the fight for equal pay and reproductive […]
Categories: Article • Tags: African-Americans, Beyonce, celebrity, Chimamanda Ngozi Adichie, feminism, gender, Jay-Z, Ms. Magazine, music, popular music, women
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