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Reading, Looking, Listening, . . . Questioning
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As someone who writes quite a bit about religion from philosophical and literary — not to say, religious — points of view, I was not surprised but piqued by a Sunday opinion piece in the New York Times. Here is T. M. Luhrmann, a Stanford anthropologist who writes regularly for the Times on religion. Here she reports […]

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Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

Review

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Philip Guston, "Aggressor," 1978, private collection

Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

October 15, 2018

The paintings are alive through its creativity. For decades, its application is firmly rooted among the people. A great blog has been written about some historical paintings. I'm incredibly interested to read it fully. Thank you.

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Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

ZiR

July 26, 2018

A point of information... This book was translated as "A Fortnight in the Wilderness" and included as Appendix 2 in "Democracy In America: Historical-Critical Edition", edited by Eduardo Nolla. There this amazing text can be read in full. It is worth comparing the translation by James Schleifer to your own. In particular, the rendering of "désert" to "wilderness" is most intriguing.

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Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

ZiR

July 26, 2018

Thanks so much for this translation and excellent analysis.

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