Z e t e o
Reading, Looking, Listening, . . . Questioning
Pierre Bonnard, Le Boxeur (portrait de l'artiste), 1931, Musée d'Orsay

In the aftermath of Trump’s election, artists and writers have had the feeling that all is changed, and their work, too, has to change somehow; they—we—have to come up with an effective response. One way I have approached this is, in my museum wanderings, to see which works from the past seem most right to […]

ZiLL

This post juxtaposes brief notes with reproductions of five women-focused works at Chicago’s Art Institute. Readers are invited to make whatever connections they will and draw whatever conclusions they might between the art works, which seem to me unified only in their focus on women, in the genius of their making (by men, by the way), and […]

ZiLL

Recent Comments

Asano_Takeji-No_Series-Snow_at_Iwashimizu_Hachiman_Shrine_Kyoto

This post juxtaposes brief notes with reproductions of five women-focused works at Chicago’s Art Institute. Readers are invited to make whatever connections they will and draw whatever conclusions they might between the art works, which seem to me unified only in their focus on women, in the genius of their making (by men, by the way), and […]

ZiR

July 16, 2018

Thanks a lot, Steve. And, continuing the segue-ing, here's an old (and traditional) Gary Snyder poem I just came across yesterday: Seaman’s Ditty I’m wondering where you are now Married, or mad, or free: Wherever you are you’re likely glad, But memory troubles me. We could’ve had us children, We could’ve had a home— But you thought not, and I thought not, And these nine years we roam. Today I worked in the deep dark tanks, And climbed out to watch the sea: Gulls and salty waves pass by, And mountains of Araby. I’ve travelled the lonely oceans And wandered the...

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Asano_Takeji-No_Series-Snow_at_Iwashimizu_Hachiman_Shrine_Kyoto

This post juxtaposes brief notes with reproductions of five women-focused works at Chicago’s Art Institute. Readers are invited to make whatever connections they will and draw whatever conclusions they might between the art works, which seem to me unified only in their focus on women, in the genius of their making (by men, by the way), and […]

ZiR

July 16, 2018

A very nice piece, William. I am reminded of a Sung Dynasty poem that D.T. Suzuki quotes in one of his books. I'm not sure of its relevance here, but it seems to resonate somehow. Misty rain on Mount Lu, And waves surging at Che Kiang. When you have not been there, Many a regret you have; But once there and homeward you wend, How matter-of-fact things look! Misty rain on Mount Lu And waves surging at Che Kiang.

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Categories: Essay | Add a Comment
Frank Kermode, August 2000, photo by Charlie MacDonald

This post juxtaposes brief notes with reproductions of five women-focused works at Chicago’s Art Institute. Readers are invited to make whatever connections they will and draw whatever conclusions they might between the art works, which seem to me unified only in their focus on women, in the genius of their making (by men, by the way), and […]

Essay

June 14, 2018

The time that takes place in stories compared to the time that we actually live is radically abbreviated. It briskly sweeps aside all the commonplace moments that make up the long stretch of toilsome time and focuses instead on the interesting and compelling. With a mere section break or a simple transitional phrase, days, months, and whole years are disposed of as if they had no significance at all. “Then time passed slowly until the day arrived when….” A lot of important living is hidden in such a phrase. From the moment-to-moment flow of time, the storyteller lifts out only those narr...

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