Z e t e o
Reading, Looking, Listening, . . . Questioning
Categories: Essay | 3 Comments
Frank Kermode, August 2000, photo by Charlie MacDonald

By Walter Cummins   Life is a Fiction Over a half century ago, shortly before the twentieth-century British literary critic Frank Kermode’s seminal The Sense of an Ending was published, I found myself in a debate with the campus chaplain, a priest named Joe Casey, whom I barely knew at the time. The topic—Life is […]

Essay
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Bob Dylan. Photograph: Jan Persson/Redferns - cropped for Zeteo cover, full image inside

By Oriana Schällibaum and Marcel Grissmer As I went out one morning may strike the casual listener as one of the more insipid songs Bob Dylan ever wrote. Recorded for the 1967 John Wesley Harding album it has never been very important to Dylan; he recorded the song in only five takes and, to date, […]

ZiLL
Categories: Review | 1 Comment
Michelangelo Merisi da Caravaggio, Sacrificio di Isacco (The Sacrifice of Isaac), 1603. In the collection of the Uffizi Gallery, Florence.

Twenty-Three Ways (and Counting) of Looking at the Bible By Martin Green Review of Reading Genesis: Beginnings, edited by Beth Kissileff (Bloomsbury/T&T Clark, 2016)   Beth Kissileff’s recent anthology Reading Genesis: Beginnings presents twenty-three ways of looking at the first book of the Hebrew Bible. Well, perhaps not twenty-three distinct ways of reading Scripture, but […]

Review

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Categories: William Eaton, ZiR | 1 Comment
Asano_Takeji-No_Series-Snow_at_Iwashimizu_Hachiman_Shrine_Kyoto

Twenty-Three Ways (and Counting) of Looking at the Bible By Martin Green Review of Reading Genesis: Beginnings, edited by Beth Kissileff (Bloomsbury/T&T Clark, 2016)   Beth Kissileff’s recent anthology Reading Genesis: Beginnings presents twenty-three ways of looking at the first book of the Hebrew Bible. Well, perhaps not twenty-three distinct ways of reading Scripture, but […]

ZiR

July 16, 2018

Thanks a lot, Steve. And, continuing the segue-ing, here's an old (and traditional) Gary Snyder poem I just came across yesterday: Seaman’s Ditty I’m wondering where you are now Married, or mad, or free: Wherever you are you’re likely glad, But memory troubles me. We could’ve had us children, We could’ve had a home— But you thought not, and I thought not, And these nine years we roam. Today I worked in the deep dark tanks, And climbed out to watch the sea: Gulls and salty waves pass by, And mountains of Araby. I’ve travelled the lonely oceans And wandered the...

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Categories: William Eaton, ZiR | 1 Comment
Asano_Takeji-No_Series-Snow_at_Iwashimizu_Hachiman_Shrine_Kyoto

Twenty-Three Ways (and Counting) of Looking at the Bible By Martin Green Review of Reading Genesis: Beginnings, edited by Beth Kissileff (Bloomsbury/T&T Clark, 2016)   Beth Kissileff’s recent anthology Reading Genesis: Beginnings presents twenty-three ways of looking at the first book of the Hebrew Bible. Well, perhaps not twenty-three distinct ways of reading Scripture, but […]

ZiR

July 16, 2018

A very nice piece, William. I am reminded of a Sung Dynasty poem that D.T. Suzuki quotes in one of his books. I'm not sure of its relevance here, but it seems to resonate somehow. Misty rain on Mount Lu, And waves surging at Che Kiang. When you have not been there, Many a regret you have; But once there and homeward you wend, How matter-of-fact things look! Misty rain on Mount Lu And waves surging at Che Kiang.

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Categories: Essay | 1 Comment
Frank Kermode, August 2000, photo by Charlie MacDonald

Twenty-Three Ways (and Counting) of Looking at the Bible By Martin Green Review of Reading Genesis: Beginnings, edited by Beth Kissileff (Bloomsbury/T&T Clark, 2016)   Beth Kissileff’s recent anthology Reading Genesis: Beginnings presents twenty-three ways of looking at the first book of the Hebrew Bible. Well, perhaps not twenty-three distinct ways of reading Scripture, but […]

Essay

June 14, 2018

The time that takes place in stories compared to the time that we actually live is radically abbreviated. It briskly sweeps aside all the commonplace moments that make up the long stretch of toilsome time and focuses instead on the interesting and compelling. With a mere section break or a simple transitional phrase, days, months, and whole years are disposed of as if they had no significance at all. “Then time passed slowly until the day arrived when….” A lot of important living is hidden in such a phrase. From the moment-to-moment flow of time, the storyteller lifts out only those narr...

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