Z e t e o
Reading, Looking, Listening, . . . Questioning
Categories: Essay | 1 Comment
17th century Schandmask (or shame masks) - a German form of punishment

By William Eaton   . . . the intellectuals of the time . . . went on playing with ideas que no tenían más función que la de mascaras—that served only as masks. Octavio Paz, El laberinto de la soledad (The Labyrinth of Solitude)[1]   At a few moments in his recent, fruitful discussion of class […]

Essay
Categories: Essay | 1 Comment

On freedom, competition, and the flowering of our species By William Eaton Note: This is the first in a planned series of articles and essays related to conflict—political, economic, social, artistic, internal, . . .   Among the early spring-flowering trees the dogwood, Cornus florida, is unrivaled in beauty. It usually grows 15 to 25 […]

Essay

At a brunch an American father mentioned his surprise that his teenage son did not believe that people were naturally good. My son doesn’t believe this either, but in my household this is not surprising. Of course this is a large subject which would quickly bog down were we to try to define the good. […]

ZiR

In a footnote on page 609 of Alfred Habegger’s My Wars Are Laid Away in Books: The Life of Emily Dickinson, I find: In 1903, traveling in Europe with Sue [Emily’s sister-in-law], Martha [one of Emily’s nieces] married Captain Alexander E. Bianchi, supposedly of the Imperial Horse Guard of St. Petersburg. The captain accompanied his […]

ZiR
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A Week of Reading from . . . William Eaton, Zeteo Executive Editor [One in an ongoing series of posts. For the full series see Zeteo is Reading. This one was first posted 15-21 September 2013.] 15 September 2013: K.J. Dover, Greek Homosexuality As this is a season for reading manuscripts that are being submitted for Zeteo’s […]

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Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

Review

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Philip Guston, "Aggressor," 1978, private collection

Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

October 15, 2018

The paintings are alive through its creativity. For decades, its application is firmly rooted among the people. A great blog has been written about some historical paintings. I'm incredibly interested to read it fully. Thank you.

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Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

ZiR

July 26, 2018

A point of information... This book was translated as "A Fortnight in the Wilderness" and included as Appendix 2 in "Democracy In America: Historical-Critical Edition", edited by Eduardo Nolla. There this amazing text can be read in full. It is worth comparing the translation by James Schleifer to your own. In particular, the rendering of "désert" to "wilderness" is most intriguing.

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Notes after seeing Margarethe von Trotta’s Hannah Arendt (and doing a little reading) Version 2.0: As revised 27 June 2013 Taking clues from Hannah Arendt (2013), directed by Margarethe von Trotta; screenplay by Pam Katz and von Trotta; cinematographer Caroline Champetier; Barbara Sukowa in the title role. [Click for pdf] By William Eaton   (1) […]

ZiR

July 26, 2018

Thanks so much for this translation and excellent analysis.

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