Z e t e o
Reading, Looking, Listening, . . . Questioning
Categories: Essay | 3 Comments
Frank Kermode, August 2000, photo by Charlie MacDonald

By Walter Cummins   Life is a Fiction Over a half century ago, shortly before the twentieth-century British literary critic Frank Kermode’s seminal The Sense of an Ending was published, I found myself in a debate with the campus chaplain, a priest named Joe Casey, whom I barely knew at the time. The topic—Life is […]

Essay
Categories: Review | 1 Comment

A review of Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers, by Juliana Schiesari (University of California Press, 2012) By Walter Cummins   My friend, the poet Renée Ashley, a consummate dog lover, displays a sticker on the back of her car with a canine paw print and the words, “Who Saved Who?” […]

Review

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Categories: William Eaton | 1 Comment
Philip Guston, "Aggressor," 1978, private collection

A review of Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers, by Juliana Schiesari (University of California Press, 2012) By Walter Cummins   My friend, the poet Renée Ashley, a consummate dog lover, displays a sticker on the back of her car with a canine paw print and the words, “Who Saved Who?” […]

October 15, 2018

The paintings are alive through its creativity. For decades, its application is firmly rooted among the people. A great blog has been written about some historical paintings. I'm incredibly interested to read it fully. Thank you.

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Categories: William Eaton, ZiR | 1 Comment

A review of Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers, by Juliana Schiesari (University of California Press, 2012) By Walter Cummins   My friend, the poet Renée Ashley, a consummate dog lover, displays a sticker on the back of her car with a canine paw print and the words, “Who Saved Who?” […]

ZiR

July 26, 2018

A point of information... This book was translated as "A Fortnight in the Wilderness" and included as Appendix 2 in "Democracy In America: Historical-Critical Edition", edited by Eduardo Nolla. There this amazing text can be read in full. It is worth comparing the translation by James Schleifer to your own. In particular, the rendering of "désert" to "wilderness" is most intriguing.

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Categories: William Eaton, ZiR | 1 Comment

A review of Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers, by Juliana Schiesari (University of California Press, 2012) By Walter Cummins   My friend, the poet Renée Ashley, a consummate dog lover, displays a sticker on the back of her car with a canine paw print and the words, “Who Saved Who?” […]

ZiR

July 26, 2018

Thanks so much for this translation and excellent analysis.

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