Z e t e o
Reading, Looking, Listening, . . . Questioning
Categories: Fritz Tucker, ZiR | 1 Comment

In Dancing in the Streets: A History of Collective Joy (Holt Paperbacks, 2007), Barbara Ehrenreich writes about the evolution of carnivals; from tribal societies masking and dancing to manufacture group solidarity (Intro, Ch. 1); to feudal festivals that challenged oppressive gender and class relations (Ch. 4). Writes Ehrenreich: Whatever social category you had been boxed into–male or female, rich […]

ZiR
Categories: Fritz Tucker, ZiLL | 1 Comment

I recently watched Stanley Nelson’s The Black Panthers: Vanguards of the Revolution. While the documentary is clearly pro-Panther, I nevertheless found it to be a surprisingly critical examination of the Black Panther Party for Self Defense. The film focuses on many of the well-remembered legacies left by the Panthers–such as their Free Breakfast for Children Program, their armed-yet-non-violent storming of California’s capitol building […]

ZiLL

In 1949, the French writer, artist, and filmmaker Jean Cocteau wrote a few lines about French politics at that time, lines that might help Americans today view their own political battles with more optimism than usual. In my translation: I know well that in 1949 politics are a big deal and the clashes of different […]

ZiR

Since the mass murder at Emanuel Church in Charleston, South Carolina, seven historically black churches have been torched, as have innumerable Confederate flags. Only one of these types of arson, unfortunately, has proven to be an effective political strategy. Historically, Southern churches have been among the most important venues for community organization. Burning a historically […]

ZiLL

For four days at the end of June the art gallery, Gavin Brown’s Enterprise, on the occasion of the closure of its space so that its old one-story industrial building could be torn down for another condo, rented 12 horses from a nearby stable and brought them into the gallery to spend the day and […]

ZiLL
Categories: Essay | 1 Comment

By William Eaton   Maintenant, Ethel l’a compris . . . Now Ethel understood: it was the emotion of her great-uncle that was making her shiver. That such a tall and strong man was immobilized; it was because there was a secret in this house, a marvelous, dangerous, fragile secret; the least movement and everything […]

Essay

Earlier this year, New York’s iconic Scholastic store in SoHo permanently closed. I never visited the store while it was open, but I got a glimpse of its history while visiting the small exhibit that was put in its place. The larger piece in the exhibit (displayed in an entrance window) is a scroll-shaped canvas with an […]

ZiR

To my surprise and delight, I like the new Whitney. And that is the consensus of the cities’ major critics. From the outside, all agree that the building is hard to take in. It looks as if a beginner at Legos piled up a variety of horizontal units and they somehow balanced. The eastern and […]

ZiLL

On the hit show Louie, aside from a token, comedic clip of fantasy in each episode, realism rules the roost. Louie C.K.’s dedication to portraying the struggles of a single-father and stand-up comedian in NYC in a realistic fashion leaves the show, much like real life, somewhere between a comedy and a drama.

ZiLL

A Tale of Two Artists’s Careers Keith Haring (1958-1990) and Jeff Koons (1955-) were born in Pennsylvania and grew up in middle-class families. Their careers as artists took off in the 1980s, at a time when contemporary art was just beginning to be looked at seriously. It was an exciting moment. The late Marcia Tucker […]

ZiLL
detail from Beth Lipman's "Laid (Time-) Table with Cycads," 2015. Glass, wood, adhesive and paint. 92 x 192 x 57 inches.

  How do we access Beth Lipman’s phantasmagoric sculpture, Laid (Time-) Table with Cycads, with its profusion of familiar material objects and organic matter all made of clear, sparkling, crystal-like glass? We recognize immediately its alignment with the tradition of still lifes. But, look again, and notice that most of the perfectly crafted pieces are […]

ZiLL

Recent Comments

  How do we access Beth Lipman’s phantasmagoric sculpture, Laid (Time-) Table with Cycads, with its profusion of familiar material objects and organic matter all made of clear, sparkling, crystal-like glass? We recognize immediately its alignment with the tradition of still lifes. But, look again, and notice that most of the perfectly crafted pieces are […]

ZiR

April 25, 2019

I want a spiritual rats to let money into my room pls m suffering enough no money my children are suffering we don't have money,we need to buy a car n house n change our life like every person just to happy in my family to reach our destiny pls

read more... join the conversation >
Wilfred Owen's mother, pictured center with her family

  How do we access Beth Lipman’s phantasmagoric sculpture, Laid (Time-) Table with Cycads, with its profusion of familiar material objects and organic matter all made of clear, sparkling, crystal-like glass? We recognize immediately its alignment with the tradition of still lifes. But, look again, and notice that most of the perfectly crafted pieces are […]

ZiR

March 9, 2019

I look forward to reading your piece!

read more... join the conversation >
Wilfred Owen's mother, pictured center with her family

  How do we access Beth Lipman’s phantasmagoric sculpture, Laid (Time-) Table with Cycads, with its profusion of familiar material objects and organic matter all made of clear, sparkling, crystal-like glass? We recognize immediately its alignment with the tradition of still lifes. But, look again, and notice that most of the perfectly crafted pieces are […]

ZiR

March 9, 2019

You're most welcome....in the Untold Dylan UK site, I connect the song to Helen Jackson's novel and the transcendentalist poets and to the movie 'Ramona' with the song by the same name - under: 'Bob Dylan And Helen Jackson'

read more... join the conversation >
« Previous PageNext Page »