Z e t e o
Reading, Looking, Listening, . . . Questioning
Categories: William Eaton, ZiLL | 3 Comments
view of Alberto Burri’s Cretto di Gibellina, Sicily

Beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. — Oscar Wilde, The Picture of Dorian Gray   I Robert Smithson’s Mirrors and Shelly Sand (images above) is a long, low, floor-lying crest of sand (approximately 30 feet by 5 feet), which is divided in equal parts by 50 […]

ZiLL
Categories: William Eaton | 1 Comment
Philip Guston, "Aggressor," 1978, private collection

Why do we think Guston made paintings like these? This becomes a question, too, about how we are compelled, how we respond.   By William Eaton   I think every good painter here in New York really paints a self-portrait. I think a painter has two choices: he paints the world or himself. And I […]

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Five mysteries hold the keys to the unseen: the act of love, and the birth of a baby, and the contemplation of great art, and being in the presence of death or disaster, and hearing the human voice lifted in song.                                                                              […]

50 cent broke

I’m not the only person who finds 50 Cent a fascinating figure. His landmark album, Get Rich or Die Tryin’, is one of the top ten best selling albums in rap history, and is perhaps the only rap album ever to have a feature film made of it. While living in Belize during the summer of 2005, I stumbled […]

ZiLL
Categories: William Eaton, ZiLL | 2 Comments
Berlinde De Bruyckere, No Life Lost II, Installation view, Hauser & Wirth, 2016, photo by Mirjam Devriendt

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but […]

ZiLL
resurrection

                                                       Bakhtin coined the term “carnivalesque’ to mark literary works with multiple, contrasting, and forever-competing centers of gravity. These paintings above have multiple, contrasting, and forever-competing centers of gravity. They’re done by someone new in my world, Octavio Ocampo. These images […]

ZiR
751px-VanGogh-starry_night

  Richard Dawkins’ head is fizzing with mad thoughts.. . .  Outside a shimmering band of turquoise near the horizon brings a soft sparkle to the beads of dew hanging from trees in early bud; the heavy clouds in the distance look peach-pink and insubstantial; so do the old pale brick houses that line his […]

ZiR
Categories: Ed Mooney, ZiR | Add a Comment
images-1

  I returned last night from a concert that featured, among other things, two movements from Bach’s unaccompanied cello suites. By pure luck, I had been reading an essay by Edward Said on Bach’s life and work. Bach cavorts with immortality. As my exposure to the cello suites confirmed once more, Bach’s work is inexhaustible […]

ZiR
images-4

I was startled to read in yesterday’s Boston Globe that a scholarly paper on “the God particle” (the Higgs boson) had 5,154 authors. I wondered if they hired a stadium for the signing and celebration. I usually think of science as dancing with poetry. An odd couple, you’ll say, but I’ve learned from Thoreau that […]

ZiR
Categories: Fritz Tucker, ZiR | Add a Comment
sex-and-death1

While reading Suketu Mehta’s Maximum City: Bombay Lost and Found, I came across a most thought-provoking passage on Bollywood, which applies to Hollywood as well. On pg. 348, Mehta writes (emphasis mine): Gangsters and whores all over the world have always been fascinated by the movies and vice versa; the movies are fundamentally transgressive. They are […]

ZiR
Categories: Fritz Tucker, ZiR | 1 Comment
thriller_good_smokin_for_slide

In Dancing in the Streets: A History of Collective Joy (Holt Paperbacks, 2007), Barbara Ehrenreich writes about the evolution of carnivals; from tribal societies masking and dancing to manufacture group solidarity (Intro, Ch. 1); to feudal festivals that challenged oppressive gender and class relations (Ch. 4). Writes Ehrenreich: Whatever social category you had been boxed into–male or female, rich […]

ZiR

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Categories: William Eaton, ZiR | 1 Comment
A Syrian man holds lifeless body of his son, killed by Syrian Army, Aleppo, Syria, October 3, 2013, photo by Manu Brabo - AP

In Dancing in the Streets: A History of Collective Joy (Holt Paperbacks, 2007), Barbara Ehrenreich writes about the evolution of carnivals; from tribal societies masking and dancing to manufacture group solidarity (Intro, Ch. 1); to feudal festivals that challenged oppressive gender and class relations (Ch. 4). Writes Ehrenreich: Whatever social category you had been boxed into–male or female, rich […]

ZiR

February 8, 2017

How does the slogan “man is a wolf to man” fit in with your later, somewhat hopeful image of camaraderie in the class struggle? I mean, if your starting assessment of human nature is correct, then doesn’t the class struggle actually come down to one group of savage beasts fighting another, the exploited class merely comprising those wolves with less opportunity to express their lupine ferocity? And don’t the exploiters no less than the exploited regularly turn against one another, so that besides the strife of classes, there is also the strife of each wolf against every other wolf? Wha...

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Categories: Article | 1 Comment
Beyoncé

In Dancing in the Streets: A History of Collective Joy (Holt Paperbacks, 2007), Barbara Ehrenreich writes about the evolution of carnivals; from tribal societies masking and dancing to manufacture group solidarity (Intro, Ch. 1); to feudal festivals that challenged oppressive gender and class relations (Ch. 4). Writes Ehrenreich: Whatever social category you had been boxed into–male or female, rich […]

Article

December 13, 2016

Any doubts I may have had have been thoroughly quashed.

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Categories: Review | 1 Comment
Bakewell on Sartre: “Of course, he was monstrous. He was self-indulgent, demanding, bad-tempered. … I disagree with quite a lot in Sartre. But then there is the question of ‘character’—and Sartre is full of character. He bursts out on side sides with energy, peculiarity, generosity, and communicativeness.”

In Dancing in the Streets: A History of Collective Joy (Holt Paperbacks, 2007), Barbara Ehrenreich writes about the evolution of carnivals; from tribal societies masking and dancing to manufacture group solidarity (Intro, Ch. 1); to feudal festivals that challenged oppressive gender and class relations (Ch. 4). Writes Ehrenreich: Whatever social category you had been boxed into–male or female, rich […]

Review

November 29, 2016

What a nice review ! I've read Bakewell and admire her courage and skill in mixing biography and philosophy in such an attractive way -- and I admire your skill in presenting the figures and themes of existentialism in an equally attractive way ! Mazel tov !

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