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Reading, Looking, Listening, . . . Questioning
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Gian Lorenzo Bernini, Anima dannata, 1619, white marble. Embassy of Spain in Vatican City, Holy See, Rome

Review of H.L. Hix, American Anger: An Evidentiary (Etruscan Press, 2016).   “I’ve got a family to feed, a neighborhood to defend.” “I’ve got a family to feed, a principle to defend.” “I’ve got a family to feed, my honor to defend.” — H.L. Hix, American Anger   These lines taken from separate poems in […]

Review
eiffel tower flashing at night, blue with white lights

Le monde s’étire s’allonge et se retire comme un accordéon qu’une main sadique tourmente The earth stretches elongated and snaps back like an accordion tortured by a sadic hand Dans les déchirures du ciel, les locomotives en furie In the rips in the sky insane locomotives S’enfuient Take flight Et dans les trous, In the […]

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Categories: Ed Mooney, ZiLL | 2 Comments
images

Mr. Trump hangs scapegoats like piñatas and invites people to take a swing. — Arizona Republic, September 28, 2016, lead editorial   A friend is watching the PBS series, The Roosevelts. She’s taken in by the first episodes. I find myself pushed back in time, reliving the powerful impact of the series when I first […]

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Olive Pierce, Girl in Window, 1964

By您好, yangyang Geng   Memory heals the scars of time. Photography documents the wounds. — Michael Ignatieff[1] It requires constant vigilance to see people as they are. — Olive Pierce    The Portraits of the Jefferson Park Housing Project in Cambridge and No Easy Roses Olive Pierce was born in Chicago, Illinois in 1925 and […]

Article
Categories: William Eaton, ZiLL | 3 Comments
view of Alberto Burri’s Cretto di Gibellina, Sicily

Beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. — Oscar Wilde, The Picture of Dorian Gray   I Robert Smithson’s Mirrors and Shelly Sand (images above) is a long, low, floor-lying crest of sand (approximately 30 feet by 5 feet), which is divided in equal parts by 50 […]

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Kamel Daoud, Algerian novelist and journalist

Well just look at all the other Musas in this dive, one by one, and imagine—as I do—how they could have survived a shot fired in bright sunlight or how they managed never to cross paths with that writer of yours or, in a word, how they’ve managed to not be dead yet. — The […]

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Immigration cartoon - Oregon

Stanching the Flow   By Martin Green   The emergence of immigration as a major issue worldwide and especially in the presidential campaign—thanks to Donald Trump’s vociferous attack on alleged rapists, drug dealers, and other criminals sneaking across the southern border, to say nothing of the threat posed by terrorists hiding among Moslem refugees—is not, […]

Article
Categories: William Eaton | 1 Comment
Philip Guston, "Aggressor," 1978, private collection

Why do we think Guston made paintings like these? This becomes a question, too, about how we are compelled, how we respond.   By William Eaton   I think every good painter here in New York really paints a self-portrait. I think a painter has two choices: he paints the world or himself. And I […]

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Michelangelo Merisi da Caravaggio, Sacrificio di Isacco (The Sacrifice of Isaac), 1603. In the collection of the Uffizi Gallery, Florence.

Twenty-Three Ways (and Counting) of Looking at the Bible By Martin Green Review of Reading Genesis: Beginnings, edited by Beth Kissileff (Bloomsbury/T&T Clark, 2016)   Beth Kissileff’s recent anthology Reading Genesis: Beginnings presents twenty-three ways of looking at the first book of the Hebrew Bible. Well, perhaps not twenty-three distinct ways of reading Scripture, but […]

Review
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Exhibition image for Jewface, Yiddish Dialect Songs of Tin Pan Alley, YIVO Institute for Jewish Research - detail from larger image

Mock Yiddish and Ethnic Parody in the Vaudeville Melting-Pot     While weary critiques of Blackface, Yellowface and Redface have become almost a Halloween tradition in their own right, “Jewface” in popular music has largely been forgotten.[1]). However, this past spring, the Center for Jewish History in New York City hosted an exhibit by the […]

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The Ballerina and the Bull, Adbusters poster - Occupy Wall Street

Allowing the full Influx of the World Artistry mitigates disaster and keeps us alive. I mean both the artistry of the world and our individual artistry in responding to it. It’s a balancing act, a ballet on the back of a dancing bull. Artistry, incoming and outgoing, from the world and from us, gives us […]

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Recent Comments

Categories: William Eaton, ZiR | 2 Comments
A Syrian man holds lifeless body of his son, killed by Syrian Army, Aleppo, Syria, October 3, 2013, photo by Manu Brabo - AP

Allowing the full Influx of the World Artistry mitigates disaster and keeps us alive. I mean both the artistry of the world and our individual artistry in responding to it. It’s a balancing act, a ballet on the back of a dancing bull. Artistry, incoming and outgoing, from the world and from us, gives us […]

ZiR

February 8, 2017

How does the slogan “man is a wolf to man” fit in with your later, somewhat hopeful image of camaraderie in the class struggle? I mean, if your starting assessment of human nature is correct, then doesn’t the class struggle actually come down to one group of savage beasts fighting another, the exploited class merely comprising those wolves with less opportunity to express their lupine ferocity? And don’t the exploiters no less than the exploited regularly turn against one another, so that besides the strife of classes, there is also the strife of each wolf against every other wolf? Wha...

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Categories: Article | 2 Comments
Beyoncé

Allowing the full Influx of the World Artistry mitigates disaster and keeps us alive. I mean both the artistry of the world and our individual artistry in responding to it. It’s a balancing act, a ballet on the back of a dancing bull. Artistry, incoming and outgoing, from the world and from us, gives us […]

Article

December 13, 2016

Any doubts I may have had have been thoroughly quashed.

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Categories: Review | 2 Comments
Bakewell on Sartre: “Of course, he was monstrous. He was self-indulgent, demanding, bad-tempered. … I disagree with quite a lot in Sartre. But then there is the question of ‘character’—and Sartre is full of character. He bursts out on side sides with energy, peculiarity, generosity, and communicativeness.”

Allowing the full Influx of the World Artistry mitigates disaster and keeps us alive. I mean both the artistry of the world and our individual artistry in responding to it. It’s a balancing act, a ballet on the back of a dancing bull. Artistry, incoming and outgoing, from the world and from us, gives us […]

Review

November 29, 2016

What a nice review ! I've read Bakewell and admire her courage and skill in mixing biography and philosophy in such an attractive way -- and I admire your skill in presenting the figures and themes of existentialism in an equally attractive way ! Mazel tov !

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