Z e t e o
Reading, Looking, Listening, . . . Questioning
Pierre Bonnard, Le Boxeur (portrait de l'artiste), 1931, Musée d'Orsay

In the aftermath of Trump’s election, artists and writers have had the feeling that all is changed, and their work, too, has to change somehow; they—we—have to come up with an effective response. One way I have approached this is, in my museum wanderings, to see which works from the past seem most right to […]

ZiLL
Wendy Artin, Tamara on her Side with Foot in Hand, 2003, watercolor on Fabiano Ingres paper, 12 x 9, © 2003-2014

At sea in these thunder-clouded days we write out of habit and wishing that we might find some magical, Archimedean fulcrum that would right the ship or allow us to gather the pieces and start building anew. At present we cannot be sure how, or if, these pieces fit together.   In any critic’s work, we […]

ZiLL
eiffel tower flashing at night, blue with white lights

Le monde s’étire s’allonge et se retire comme un accordéon qu’une main sadique tourmente The earth stretches elongated and snaps back like an accordion tortured by a sadic hand Dans les déchirures du ciel, les locomotives en furie In the rips in the sky insane locomotives S’enfuient Take flight Et dans les trous, In the […]

ZiR
Categories: William Eaton, ZiLL | 3 Comments
view of Alberto Burri’s Cretto di Gibellina, Sicily

Beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. — Oscar Wilde, The Picture of Dorian Gray   I Robert Smithson’s Mirrors and Shelly Sand (images above) is a long, low, floor-lying crest of sand (approximately 30 feet by 5 feet), which is divided in equal parts by 50 […]

ZiLL
Categories: William Eaton | 1 Comment
Philip Guston, "Aggressor," 1978, private collection

Why do we think Guston made paintings like these? This becomes a question, too, about how we are compelled, how we respond.   By William Eaton   I think every good painter here in New York really paints a self-portrait. I think a painter has two choices: he paints the world or himself. And I […]

Categories: William Eaton, ZiLL | 2 Comments
Berlinde De Bruyckere, No Life Lost II, Installation view, Hauser & Wirth, 2016, photo by Mirjam Devriendt

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but […]

ZiLL

The films touched upon here and below are: The Third Man, Crimes and Misdemeanors, Farewell My Concubine [English title], Ladri di biciclette (Bicycle Thieves, or The Bicycle Thief), L’Amant (The Lover), Touki Bouki, Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari), Anna Karenina (1935 version), Un air de famille (Family Resemblances), Carol, Youth, […]

ZiLL

  Living with the objects, they became his family, his neighbors, his friends. — Janet Abramowicz, former assistant to Morandi You don’t have to paint a figure to express human feelings. — Robert Motherwell [1]   (1) For what, in the past year, have been revealed to be psychological reasons, I have long been drawn […]

ZiLL

The recent documentary about the Black Panthers called attention, among other things, to that group’s ten-point platform, which included such demands as “We Want Decent Housing Fit For The Shelter Of Human Beings” and “We Want Education That Teaches Us Our True History And Our Role In The Present-Day Society.” The Panthers were not a terrorist […]

ZiLL

  If now largely ignored, Alain Tanner and John Berger’s 1976 film Jonas qui aura 25 ans en l’an 2000 (For Jonas Who Will Be 25 In The Year 2000), remains warm, charming, lovable.[1] And the movie is particularly hard not to like now when the hopes and “Marxist humanist” analysis underlying it have come […]

ZiLL

Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

ZiLL

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Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

ZiR

July 26, 2018

A point of information... This book was translated as "A Fortnight in the Wilderness" and included as Appendix 2 in "Democracy In America: Historical-Critical Edition", edited by Eduardo Nolla. There this amazing text can be read in full. It is worth comparing the translation by James Schleifer to your own. In particular, the rendering of "désert" to "wilderness" is most intriguing.

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Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

ZiR

July 26, 2018

Thanks so much for this translation and excellent analysis.

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Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

ZiR

July 16, 2018

Thanks a lot, Steve. And, continuing the segue-ing, here's an old (and traditional) Gary Snyder poem I just came across yesterday: Seaman’s Ditty I’m wondering where you are now Married, or mad, or free: Wherever you are you’re likely glad, But memory troubles me. We could’ve had us children, We could’ve had a home— But you thought not, and I thought not, And these nine years we roam. Today I worked in the deep dark tanks, And climbed out to watch the sea: Gulls and salty waves pass by, And mountains of Araby. I’ve travelled the lonely oceans And wandered the...

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