Z e t e o
Reading, Looking, Listening, . . . Questioning
Pierre Bonnard, Le Boxeur (portrait de l'artiste), 1931, Musée d'Orsay

In the aftermath of Trump’s election, artists and writers have had the feeling that all is changed, and their work, too, has to change somehow; they—we—have to come up with an effective response. One way I have approached this is, in my museum wanderings, to see which works from the past seem most right to […]

ZiLL
Wendy Artin, Tamara on her Side with Foot in Hand, 2003, watercolor on Fabiano Ingres paper, 12 x 9, © 2003-2014

At sea in these thunder-clouded days we write out of habit and wishing that we might find some magical, Archimedean fulcrum that would right the ship or allow us to gather the pieces and start building anew. At present we cannot be sure how, or if, these pieces fit together.   In any critic’s work, we […]

ZiLL
eiffel tower flashing at night, blue with white lights

Le monde s’étire s’allonge et se retire comme un accordéon qu’une main sadique tourmente The earth stretches elongated and snaps back like an accordion tortured by a sadic hand Dans les déchirures du ciel, les locomotives en furie In the rips in the sky insane locomotives S’enfuient Take flight Et dans les trous, In the […]

ZiR
Categories: William Eaton, ZiLL | 3 Comments
view of Alberto Burri’s Cretto di Gibellina, Sicily

Beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. — Oscar Wilde, The Picture of Dorian Gray   I Robert Smithson’s Mirrors and Shelly Sand (images above) is a long, low, floor-lying crest of sand (approximately 30 feet by 5 feet), which is divided in equal parts by 50 […]

ZiLL
Categories: William Eaton | 1 Comment
Philip Guston, "Aggressor," 1978, private collection

Why do we think Guston made paintings like these? This becomes a question, too, about how we are compelled, how we respond.   By William Eaton   I think every good painter here in New York really paints a self-portrait. I think a painter has two choices: he paints the world or himself. And I […]

Categories: William Eaton, ZiLL | 2 Comments
Berlinde De Bruyckere, No Life Lost II, Installation view, Hauser & Wirth, 2016, photo by Mirjam Devriendt

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but […]

ZiLL

The films touched upon here and below are: The Third Man, Crimes and Misdemeanors, Farewell My Concubine [English title], Ladri di biciclette (Bicycle Thieves, or The Bicycle Thief), L’Amant (The Lover), Touki Bouki, Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari), Anna Karenina (1935 version), Un air de famille (Family Resemblances), Carol, Youth, […]

ZiLL

  Living with the objects, they became his family, his neighbors, his friends. — Janet Abramowicz, former assistant to Morandi You don’t have to paint a figure to express human feelings. — Robert Motherwell [1]   (1) For what, in the past year, have been revealed to be psychological reasons, I have long been drawn […]

ZiLL

The recent documentary about the Black Panthers called attention, among other things, to that group’s ten-point platform, which included such demands as “We Want Decent Housing Fit For The Shelter Of Human Beings” and “We Want Education That Teaches Us Our True History And Our Role In The Present-Day Society.” The Panthers were not a terrorist […]

ZiLL

  If now largely ignored, Alain Tanner and John Berger’s 1976 film Jonas qui aura 25 ans en l’an 2000 (For Jonas Who Will Be 25 In The Year 2000), remains warm, charming, lovable.[1] And the movie is particularly hard not to like now when the hopes and “Marxist humanist” analysis underlying it have come […]

ZiLL

Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

ZiLL

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Arabian Red Fox, photograph by Jem Babbington, appears on Birds of Saudi Arabia website

Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

Review

July 25, 2017

[…] Gun. Pour ses explorations des traductions, vers le français, de la poésie, voir, par example, Translating Dickinson, Poetry as Conversation, et Dylan, Nobel, Paris, Chimes Flashing. Some readers may also find of […]

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Categories: Review | Add a Comment
Arabian Red Fox, photograph by Jem Babbington, appears on Birds of Saudi Arabia website

Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

Review

July 25, 2017

[…] Sex, Politics—is due out in 2017. His previous, Emily-Dickinson-related, multilingual writing: Translating Dickinson (into French) and Dickinson — Sex, Spanish, Stew. Some readers might also be interested in Beyond […]

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Categories: Essay | Add a Comment

Martin (to his wife): So I lost my erection last night not because I’m not prepared to talk, it’s just that taking in technical information is a different part of the brain and also I don’t like to feel that you do it better to yourself. I have read the Hite report. I do know […]

Essay

July 23, 2017

[…] my proposition that a life so lived, so noticing, is a fuller life, a life more zoomed in—see On Savoring, Zeteo, December […]

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