Z e t e o
Reading, Looking, Listening, . . . Questioning
Wendy Artin, Tamara on her Side with Foot in Hand, 2003, watercolor on Fabiano Ingres paper, 12 x 9, © 2003-2014

At sea in these thunder-clouded days we write out of habit and wishing that we might find some magical, Archimedean fulcrum that would right the ship or allow us to gather the pieces and start building anew. At present we cannot be sure how, or if, these pieces fit together.   In any critic’s work, we […]

ZiLL
Categories: ZiLL | Add a Comment
gordon-senior-tools-of-unknown-use

The famous French photographer Henri Cartier-Bresson writes that the attraction of a photograph is not that it captures reality but that it just barely glimpses it. His photograph Derrière la Gare Saint-Lazare captures, in mid-air, a man in a suit and hat attempting a hopeless leap over a large puddle of water.[1] If we had been […]

ZiLL
Categories: ZiLL | Add a Comment
bob-dylan-with-wife-sara-and-children-anna-jesse-and-sam-1968

You may be an ambassador to England or France You may like to gamble, you might like to dance You may be the heavyweight champion of the world You may be a socialite with a long string of pearls But you’re gonna have to serve somebody, yes indeed You’re gonna have to serve somebody Well, […]

ZiLL
Categories: ZiLL | Add a Comment
Philip Guston, Untitled, 1971, Ink on paper, 26.7 x 35.2 cm = 10 1/2 x 13 7/8 in, Private Collection. © The Estate of Philip Guston, Courtesy Hauser & Wirth [GUSTO77446]

In a number of Philip Guston’s more than 100 cartoon-style drawings of Richard Nixon, which are currently on view at the Hauser & Wirth gallery in New York City, the former President’s nose and jowls are transformed into a cock and balls (or scrotum).[1] We can understand that Guston, in his sixties, was making his way […]

ZiLL
eiffel tower flashing at night, blue with white lights

Le monde s’étire s’allonge et se retire comme un accordéon qu’une main sadique tourmente The earth stretches elongated and snaps back like an accordion tortured by a sadic hand Dans les déchirures du ciel, les locomotives en furie In the rips in the sky insane locomotives S’enfuient Take flight Et dans les trous, In the […]

ZiR
Categories: Ed Mooney, ZiLL | 2 Comments
images

Mr. Trump hangs scapegoats like piñatas and invites people to take a swing. — Arizona Republic, September 28, 2016, lead editorial   A friend is watching the PBS series, The Roosevelts. She’s taken in by the first episodes. I find myself pushed back in time, reliving the powerful impact of the series when I first […]

ZiLL
Categories: William Eaton, ZiLL | 3 Comments
view of Alberto Burri’s Cretto di Gibellina, Sicily

Beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. — Oscar Wilde, The Picture of Dorian Gray   I Robert Smithson’s Mirrors and Shelly Sand (images above) is a long, low, floor-lying crest of sand (approximately 30 feet by 5 feet), which is divided in equal parts by 50 […]

ZiLL
Categories: William Eaton | 1 Comment
Philip Guston, "Aggressor," 1978, private collection

Why do we think Guston made paintings like these? This becomes a question, too, about how we are compelled, how we respond.   By William Eaton   I think every good painter here in New York really paints a self-portrait. I think a painter has two choices: he paints the world or himself. And I […]

Categories: ZiLL | Add a Comment
Exhibition image for Jewface, Yiddish Dialect Songs of Tin Pan Alley, YIVO Institute for Jewish Research - detail from larger image

Mock Yiddish and Ethnic Parody in the Vaudeville Melting-Pot     While weary critiques of Blackface, Yellowface and Redface have become almost a Halloween tradition in their own right, “Jewface” in popular music has largely been forgotten.[1]). However, this past spring, the Center for Jewish History in New York City hosted an exhibit by the […]

ZiLL
50 cent broke

I’m not the only person who finds 50 Cent a fascinating figure. His landmark album, Get Rich or Die Tryin’, is one of the top ten best selling albums in rap history, and is perhaps the only rap album ever to have a feature film made of it. While living in Belize during the summer of 2005, I stumbled […]

ZiLL
Categories: William Eaton, ZiLL | 2 Comments
Berlinde De Bruyckere, No Life Lost II, Installation view, Hauser & Wirth, 2016, photo by Mirjam Devriendt

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but […]

ZiLL

Recent Comments

Categories: William Eaton, ZiR | 2 Comments
A Syrian man holds lifeless body of his son, killed by Syrian Army, Aleppo, Syria, October 3, 2013, photo by Manu Brabo - AP

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but […]

ZiR

February 8, 2017

How does the slogan “man is a wolf to man” fit in with your later, somewhat hopeful image of camaraderie in the class struggle? I mean, if your starting assessment of human nature is correct, then doesn’t the class struggle actually come down to one group of savage beasts fighting another, the exploited class merely comprising those wolves with less opportunity to express their lupine ferocity? And don’t the exploiters no less than the exploited regularly turn against one another, so that besides the strife of classes, there is also the strife of each wolf against every other wolf? Wha...

read more... join the conversation >
Categories: Article | 2 Comments
Beyoncé

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but […]

Article

December 13, 2016

Any doubts I may have had have been thoroughly quashed.

read more... join the conversation >
Categories: Review | 2 Comments
Bakewell on Sartre: “Of course, he was monstrous. He was self-indulgent, demanding, bad-tempered. … I disagree with quite a lot in Sartre. But then there is the question of ‘character’—and Sartre is full of character. He bursts out on side sides with energy, peculiarity, generosity, and communicativeness.”

Or, Dying, “What does it feel like?”   First approach Torvald Helmer: Oh, you think and talk like a heedless child. Nora, his wife: Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but […]

Review

November 29, 2016

What a nice review ! I've read Bakewell and admire her courage and skill in mixing biography and philosophy in such an attractive way -- and I admire your skill in presenting the figures and themes of existentialism in an equally attractive way ! Mazel tov !

read more... join the conversation >
Next Page »