Z e t e o
Reading, Looking, Listening, . . . Questioning
Pierre Bonnard, Le Boxeur (portrait de l'artiste), 1931, Musée d'Orsay

In the aftermath of Trump’s election, artists and writers have had the feeling that all is changed, and their work, too, has to change somehow; they—we—have to come up with an effective response. One way I have approached this is, in my museum wanderings, to see which works from the past seem most right to […]

ZiLL
Wendy Artin, Tamara on her Side with Foot in Hand, 2003, watercolor on Fabiano Ingres paper, 12 x 9, © 2003-2014

At sea in these thunder-clouded days we write out of habit and wishing that we might find some magical, Archimedean fulcrum that would right the ship or allow us to gather the pieces and start building anew. At present we cannot be sure how, or if, these pieces fit together.   In any critic’s work, we […]

ZiLL
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The famous French photographer Henri Cartier-Bresson writes that the attraction of a photograph is not that it captures reality but that it just barely glimpses it. His photograph Derrière la Gare Saint-Lazare captures, in mid-air, a man in a suit and hat attempting a hopeless leap over a large puddle of water.[1] If we had been […]

ZiLL
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You may be an ambassador to England or France You may like to gamble, you might like to dance You may be the heavyweight champion of the world You may be a socialite with a long string of pearls But you’re gonna have to serve somebody, yes indeed You’re gonna have to serve somebody Well, […]

ZiLL
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Philip Guston, Untitled, 1971, Ink on paper, 26.7 x 35.2 cm = 10 1/2 x 13 7/8 in, Private Collection. © The Estate of Philip Guston, Courtesy Hauser & Wirth [GUSTO77446]

In a number of Philip Guston’s more than 100 cartoon-style drawings of Richard Nixon, which are currently on view at the Hauser & Wirth gallery in New York City, the former President’s nose and jowls are transformed into a cock and balls (or scrotum).[1] We recognize the long-standing association of the nose and the penis, and […]

ZiLL
eiffel tower flashing at night, blue with white lights

Le monde s’étire s’allonge et se retire comme un accordéon qu’une main sadique tourmente The earth stretches elongated and snaps back like an accordion tortured by a sadic hand Dans les déchirures du ciel, les locomotives en furie In the rips in the sky insane locomotives S’enfuient Take flight Et dans les trous, In the […]

ZiR
Categories: Ed Mooney, ZiLL | 2 Comments

Mr. Trump hangs scapegoats like piñatas and invites people to take a swing. — Arizona Republic, September 28, 2016, lead editorial   A friend is watching the PBS series, The Roosevelts. She’s taken in by the first episodes. I find myself pushed back in time, reliving the powerful impact of the series when I first […]

ZiLL
Categories: William Eaton, ZiLL | 3 Comments
view of Alberto Burri’s Cretto di Gibellina, Sicily

Beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. — Oscar Wilde, The Picture of Dorian Gray   I Robert Smithson’s Mirrors and Shelly Sand (images above) is a long, low, floor-lying crest of sand (approximately 30 feet by 5 feet), which is divided in equal parts by 50 […]

ZiLL
Categories: William Eaton | 1 Comment
Philip Guston, "Aggressor," 1978, private collection

Why do we think Guston made paintings like these? This becomes a question, too, about how we are compelled, how we respond.   By William Eaton   I think every good painter here in New York really paints a self-portrait. I think a painter has two choices: he paints the world or himself. And I […]

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Exhibition image for Jewface, Yiddish Dialect Songs of Tin Pan Alley, YIVO Institute for Jewish Research - detail from larger image

Mock Yiddish and Ethnic Parody in the Vaudeville Melting-Pot     While weary critiques of Blackface, Yellowface and Redface have become almost a Halloween tradition in their own right, “Jewface” in popular music has largely been forgotten.[1]). However, this past spring, the Center for Jewish History in New York City hosted an exhibit by the […]

ZiLL

I’m not the only person who finds 50 Cent a fascinating figure. His landmark album, Get Rich or Die Tryin’, is one of the top ten best selling albums in rap history, and is perhaps the only rap album ever to have a feature film made of it. While living in Belize during the summer of 2005, I stumbled […]

ZiLL

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Arabian Red Fox, photograph by Jem Babbington, appears on Birds of Saudi Arabia website

I’m not the only person who finds 50 Cent a fascinating figure. His landmark album, Get Rich or Die Tryin’, is one of the top ten best selling albums in rap history, and is perhaps the only rap album ever to have a feature film made of it. While living in Belize during the summer of 2005, I stumbled […]

Review

July 25, 2017

[…] Gun. Pour ses explorations des traductions, vers le français, de la poésie, voir, par example, Translating Dickinson, Poetry as Conversation, et Dylan, Nobel, Paris, Chimes Flashing. Some readers may also find of […]

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Categories: Review | Add a Comment
Arabian Red Fox, photograph by Jem Babbington, appears on Birds of Saudi Arabia website

I’m not the only person who finds 50 Cent a fascinating figure. His landmark album, Get Rich or Die Tryin’, is one of the top ten best selling albums in rap history, and is perhaps the only rap album ever to have a feature film made of it. While living in Belize during the summer of 2005, I stumbled […]

Review

July 25, 2017

[…] Sex, Politics—is due out in 2017. His previous, Emily-Dickinson-related, multilingual writing: Translating Dickinson (into French) and Dickinson — Sex, Spanish, Stew. Some readers might also be interested in Beyond […]

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Categories: Essay | Add a Comment

I’m not the only person who finds 50 Cent a fascinating figure. His landmark album, Get Rich or Die Tryin’, is one of the top ten best selling albums in rap history, and is perhaps the only rap album ever to have a feature film made of it. While living in Belize during the summer of 2005, I stumbled […]

Essay

July 23, 2017

[…] my proposition that a life so lived, so noticing, is a fuller life, a life more zoomed in—see On Savoring, Zeteo, December […]

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